Although the first years of film and its early pioneers present a fascinating and occasionally bizarre history suited to a much longer post, today I thought we’d simply focus on two short and deliciously outlandish movies from the dawn of… Read More ›
1890’s
“Two Ghosts Converse” by Emily Dickinson
I died for beauty, but was scarce Adjusted in the tomb, When one who died for truth was lain In an adjoining room. He questioned softly why I failed? ‘For beauty,’ I replied. ‘And I for truth, — the two… Read More ›
Silent Sundays: Three Skeletons at the Piano (1897)
Three Skeletons at the Piano, photographer unknown, 1897, via The National Archives.